Page 43 - 2019 RMIT School of Art BAFA Exhibition Catalogue
P. 43

Screenprint and flock 20cm x 20cm
As homosexuality edges closer towards normativity (in Western countries), there is an opportunity to address its historical absence of representation. The first iteration of this body of work was by means of public performance; clad head to toe in white rubber bondage suit, images of Michelangelo’s ‘David’ were projected onto my body. Documentation of the performance provides images that are used
to expand upon ideas surrounding self-representation, identity and selfhood.
Duncan Macarthur

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